Lydia H. Liu

Lydia H. Liu
East Asian Languages & Cultures
Wun Tsu Tam Professor in the Humanities
ll2410@columbia.edu

Lydia H. Liu is the Wun Tsun Tam Professor in the Humanities. Her research centers on modern China, cross-cultural exchange, and global transformation in modern history, with a focus on the movement of words, theories, and artifacts across national boundaries and on the evolution of writing, textuality, and media technology.

Professor Liu teaches courses on modern Chinese literature and culture in this department and offers graduate courses on comparative literature, critical translation theory, and new media in the Institute for Comparative Literature and Society.

Her recent publications include “Wittgenstein in the Machine,” Critical Inquiry, 47.3 (Spring 2021): 425-455; "The Incalculable: Thoughts on the Collapse of the Biosecurity Regime,” Critical Inquiry, 47.S2 (Winter 2021): 110-114; "Das Digitale in der psychischen Maschine" in Technosphäre, edited by Katrin Klingan and Christoph Rosol, Berlin: Matthes & Seitz, 2019, p.196–212; Natural Justice & Equity, the first annotated edition of the complete sets (in two volumes) of Tianyi and Hengbao in Chinese co-edited with Wan Shiguo (2016); a new study in global history called Origins of the Global Order: From the Meridian Line to the Standard of Civilization, edited volume in Chinese (2016); an article entitled “Scripts in Motion: Writing as Imperial Technology,” PMLA, 130.2 (March 2015); “La probabilité du sens dans la machine hypermnésique,” (trans. Hélène Soldano) in Le sujet digital with Bernard Stigler and Katherine Hayles, edited by Claire Larsonneur, et al (2015); “Abgründe des Universalismus: P. C. Chang entgrenzt die Menschenrechte” (trans. Michael Adrian), Zeitschrift für Ideengeschichte IX/1 (Spring 2015); “The Eventfulness of Translation: Temporality, Difference, and Competing Universals,” translation: a transdisciplinary journal, no.4 (Spring 2014) and “Shadows of Universalism: The Untold Story of Human Rights Around 1948,” Critical Inquiry 40 (Summer 2014).

As a creative writer in Chinese, she published a new book (in Chinese) called The Nesbit Code with Oxford University Press in Hong Kong which received the 2014 Hong Kong Book Award.

Professor Liu was the recipient of a Guggenheim Fellowship (1997–1998) and a fellow of the Wissenschaftskolleg in Berlin (2004–2005); in 2013, she was the Class of 1932 Fellow in the Humanities Council at Princeton University. More recently, she was a Member at the Institute for Advanced Study in Princeton (2018-2019).

“Wittgenstein in the Machine,” Critical Inquiry, 47.3 (Spring 2021): 425-455. 

"The Incalculable: Thoughts on the Collapse of the Biosecurity Regime,” Critical Inquiry, 47.S2 (Winter 2021):110-114.

“Das Digitale in der psychischen Maschine “in Technosphäre, edited by Katrin Klingan and Christoph Rosol, Berlin: Matthes & Seitz, 2019, p.196–212. 

The Birth of Chinese Feminism: Essential Texts in Transnational Feminism (co-author with Rebecca Karl and Dorothy Ko, Columbia, 2013)

The Freudian Robot: Digital Media and the Future of the Unconscious (University of Chicago Press, 2010).

The Clash of Empires: The Invention of China in Modern World Making (Harvard, 2004)

Tokens of Exchange: The Problem of Translation in Global Circulations (editor, Duke, 1999)

Translingual Practice: Literature, National Culture, and Translated Modernity (Stanford, 1995)