Zeynep Çelik Alexander’s work focuses on the history and theory of architecture since the Enlightenment. After being trained as an architect at Istanbul Technical University and Harvard Graduate School of Design, she received her Ph.D. from the History, Theory, and Criticism Program at M.I.T. Alexander is the author of Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design (Chicago and London: University of Chicago Press, 2017), a history of an alternative mode of knowing—non-propositional, non-linguistic, and based on the movements of the body—that gained saliency in the nineteenth century and informed the epistemological logic of modernism in the German-speaking world. She has published in numerous venues, including Journal of the Society of Architectural Historians, New German Critique, Harvard Design Magazine, Log, e-flux, Grey Room, Journal of Design History, and Centropa. A second volume, co-edited with John J. May (Harvard University) and forthcoming from the University of Minnesota Press, examines the histories of a series of techniques that have come to dominate contemporary design disciplines. Çelik Alexander is currently at work on new book that explores nineteenth-century architectures of bureaucracy from the Kew Herbarium to the Larkin Administration Building. Alexander is a member of the Aggregate Architectural History Collaborative and an editor of the journal Grey Room.
“The Larkin’s Architectural Technologies of Trust,” Journal of the Society of Architectural Historians 77.3 (September 2018): 300-318.
“Baroque Out of Focus: The Question of Mediation in Wölfflin,” New German Critique 45.1 (February 2018), pp. 79-109.